Will you come and howl with me?
  • The adventures of a cute little doodle!  by ELYXtroqman | Instagram

    Here is “ELYX“, a cute little doodle wandering through Paris, France as well as various parts of the world through the sketchbook of YAK, its creator, who draws his mascot for more than 3 years! Some adorable, funny and creative adventures to follow on his Instagram account or on his website: ELYX.

    (Source: asylum-art, via asylum-art)

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  • beautiful-basque-country:

    The beginning of the Basque lands, Delika.

    (Source: Flickr / basajauntxo)

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  • The tags this is in are great: ‘love’ and ‘cute’. I guess it does seem really cute and lovely until you realize the mom/dad is throwing up food for these cubs. She’s just feeding them and I guess that could be called love, but I personally don’t find throwing up cute.. might also have to do with me having been ill for the past couple of days xD

    (via howliing-wolves)

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  • illuminati-hottie:

    yourhippielove:

    Fox sleeping in a graveyard.

    Makes me wonder about reincarnation

    this is seriously so beautiful

    (Source: fencehopping, via groei-niet-op)

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  • "If you’re brave enough to say goodbye, life will reward you with a new hello."
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  • asylum-art:

     Burning Man 2014 Moments by Trey Ratcliff

    Website | Flickr | Google+ | Facebook | Prints

    Embrace was a 72 ft wooden, cathedral-like sculpture of two human figures, “in celebration of all our relationships”. The site-specific artwork was created by the Pier Group for Burning Man 2014.
    It was the largest project to date for the Pier Group, which gained acclaim for its previous Burning Man installations The Pier, Pier 2, and the Ichthyosaur Puppet Project. Crews began construction on Embrace in October 2013 at the Generator community art space in Reno, and in studios in Vancouver and Portland.
    During this year’s festival the massive wooden sculpture was set aflame and Trey Ratcliff was on hand to capture the incredible moment. Below you can see what the interactive sculpture looked like before it was burned.

    (via heyikbenbram)

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  • maihudson:

    Spencer Tunick, Mardi Gras: The Base (Sydney Opera House), 2010. 

    Spener Tunick creates artworks in which nude bodies are infinitely repeated: “
    individuals en masse, without their clothing, grouped together, metamorphose into a new shape. The bodies extend into and upon the landscape like a substance. These grouped masses which do not underscore sexuality become abstractions that challenge or reconfigure one’s views of nudity and privacy.” +

    (via groei-niet-op)

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  • "I think I’m allergic to people who are unwilling to broaden their perspectives."
    Dau Voire  (via fawun)

    (Source: kushandwizdom, via groei-niet-op)

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  • (Source: weheartit.com, via heyikbenbram)

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  • (via saganatt)

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